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I have used the remote in the studio and it worked really good.” You can really give a guitar hell with ‘em. On the receiver you’ve got like a monitor switch you can boost the signal and in the transmitter you’ve got the same sort of thing. A question was asked about the recording of AC/DC’s iconic Back in Black album: “Do you use any effects?” Young’s reply was “ I just have a Schaffer-Vega wireless system.” That next month, in Guitar World Magazine, he elaborated: “ Yeah, I use the Schaffer-Vega. But something was missing…Įventually, he happened onto a 1984 interview with Angus Young in Guitar Player magazine (“Angus Young: Seriously”, Guitar Player, February 1984). In pursuit of that sound for that long, Olivieri had bought and duplicated every piece of equipment Angus was known to use. SVDS artists – including AC/DC – were forced to move on… the legendary “Schaffer Sound” slipped into obscurity.Īcross the world, in Rome, renowned AC/DC aficionado Fil “SoloDallas” Olivieri had been obsessed by Angus Young’s signature tone for more than 30 years. Soon, new, stricter FCC regulations on wireless specifications prohibited fully-analog wireless systems of its caliber from being used. Schaffer ceased production of the Schaffer-Vega Diversity System in 1982 to pursue other interests. Schaffer’s wireless units became the system of choice for nearly every major artist of the mid-70s to mid-80s. Notably, a mirror-image paired compressor and expander increased the radio circuit’s dynamic range to over 100 dB, 35 dB greater than the theoretical maximum that could otherwise previously be achieved within the bandwidth limits covering wireless systems by the US FCC.īeyond the staging freedom afforded by Schaffer’s wireless, many A-list players discovered something unintended: the sonic result was pure magic! The wireless design’s unique preprocessing enriched their signal with copious amounts of harmonic content unlike anything they’d ever heard. Schaffer’s design incorporated ingenious pre-processing circuits to preserve the integrity of the wireless signal. In mid-2014, three still-perfectly working units were cloned – only their audio circuitry was – to recreate as faithfully as possible the original sound of the Schaffer-Vega Diversity System. The SVDS was actually used well beyond 1981 (year of cessation of production), as it was a very well built unit. Many incredibly famous performers bought one (or two! Pink Floyd 20!) – at the time extremely expensive. The first prototypes saw light in 1976 and in 1977, full production was running. This unit changed the way Angus Young sounded and played.

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